Another Great Google+ Debate: Watermarks.

I got a lot of positive comments about this image in a debate topic called: The Watermark of Doom. It was actually a quite lively Google+ debate. If you haven’t done so already, it’s worth the read.

Creating the moment when you miss it.

Sometimes, it all comes down to using Post Processing to create the moment you missed. It’s also what the old school film guys refer to as: Lying. ;) But this post isn’t about them, it’s about us. It’s about combining botched planning and digital tricks together into something harmonious and beautiful.

First off, I didn’t mean to shoot this at all. Yes, technically I placed my tripod, lined it up, and shot, but my intention was to shoot something else. Something that I planned out in complete detail.

Apparently, Banpo Bridge in Seoul, South Korea is famous for being the longest fountain show in the world. After some research, It became one of the main reasons I wanted to visit and photograph Seoul.

When I arrived in Seoul, I calculated the sunset time and position. Then I checked the schedule for the fountain show. Perfect, they run all day and also at a perfect 8:00pm spot post sunset. How about the weather then? Meh, rainy for the next few days so I might as well save it for later. Besides, what a great way to end a trip. It’s a giant fountain show after all.

On my last afternoon in town, I took a cab over to the bridge and set up in the perfect (pre-meditated) spot. I setup, sat back, and prepared for the show. I got there a bit early to shoot the 6pm show as well, wanting to have a few different lighting options to work with. It turned out there were these floating structures that you could walk on and visit. The one I set up on had a photography gallery of all things.

The clock rolled to 6 and… No fountains? What? Oh well, maybe they have it compressed down to a few a day. After all, everyone I talked to said they run every day without exception.

8pm. Nothing. WTF?

I went inside and found a nice woman who spoke great English. She told me that the fountain runs every day without exception and she didn’t know why it wasn’t showing. She said that the 9pm show is always enjoyable too. Ok thanks, I guess I’ll wait it out.

To cut this short, I’ll sum up by saying that it never happened. No fountains, nothing. As I was leaving I noticed that one of the other islands was covered in animated glowing colors. It was insane. I wish I would have known about it but it was obstructed from my view. None of the other islands were turned on so I had no idea it was there. All I could say was: WOW!

I always give my shots careful consideration with specific times of day and solar positions but sometimes you just stumble onto things. It’s inevitable and it’s something that I love about photography. Unfortunately, If I would’ve known about this awesome place, I could have shot it at blue hour, on a day with a light breeze. Instead, I was there in total darkness on a windy day.

Given the circumstances I did the most rational thing possible. I ran over there and did my best will total darkness, hoping to fix my problems in post. And guess what? It worked.

So, unfortunately I did not get to shoot the worlds longest fountain show. Instead, I ended up shooting the worlds largest floating Island. I can live with that.

Daily Banana – The Glowing Island

Daily Banana – The Glowing Island Breakdown

First off I want to say that yes, this is an HDR with 5 bracketed exposures. I missed Blue Hour, so I re-created it. It was windy outside, so I blurred the reflections. There glow as animated, so I blended in the color from a single exposure. There wasn’t any purple in the scene, so I said, let there be purple. (I have a thing for purple in images.)

I think it turned out quite nice actually.

The Glowing Island - (Seoul, South Korea)

Welcome to Dubrovnik Croatia, The Pearl Of The Adriatic!

I don’t remember what inspired me to photograph this ancient city but I’m glad I did. I seem to have a thing for old cities. I was born in the United States where the oldest things we have are Politicians. ;) There aren’t too many ancient walled fortress towns lying around. I mean, we do have a Colosseum and a miniature version of Venice, but they’re both in Las Vegas.

I love spending time in these beautiful places and I try to carefully craft my photographs to reflect that same beauty. I don’t just mean with post processing and clever camera tricks (though those certainly help). The simple truth is that most of the magic simply comes from identifying the best time of day to shoot. By taking this small step, you end up with the best lighting scenarios.

Since weather is predictably unpredictable, this process isn’t always reliable. There are so many times that I’ve set up for a sunset only to have the sky fill up with clouds and become overcast. When this happens, it can really rain on your parade.

And speaking of rain, I’ve had complete trips that have been rained out. — Last time I went to Venice for a photography project, it rained non stop for 5 days! I can’t recall how many bottles of wine I consumed on that trip but the fact that I can’t remember, speaks volumes about the volume.

So, the long and drawn out point I’m trying to make is: Always shoot a backup and NEVER put off a shoot if you have favorable weather! Never say, “gosh, with all this swell weather, I have all week to shoot a sunset.” If you do, Murphy will fly over and personally lay down his law. Zeus will throw thunderbolts and all that shit. Trust me, get it while you can.

I shot “The Pearl Of The Adriatic,” during Golden Hour (note the golden light on the subject). This short window of time is extremely susceptible to cloud interference. If one naughty cumulus cloud moves over the sun, say goodbye to all that beautiful light. Because of this, I also shot an alternate during a late afternoon.

Shooting a few alternates, can really reduce those, “Aw crap! I should have shot it at (this) time,” moments. And isn’t it always good to have some options?

Another aspect to shooting multiple lighting scenarios is: client preference. Since I deal in image licencing, people like to have options. They may prefer something overcast or something in full sun. You never really know and often the client loves the one you don’t. You can always sell that one to him and show the favorite in your portfolio.

So if you have the time, go for some alternate shots, you’ll be happy you did. If you’re on a limited time span, go for the gold. Try and get there for the perfect moment. And if you see Murphy out there, punch him in the face for me. ;)

Daily Banana – The Pearl Of The Adriatic

Dubrovnik, The Pearl Of The Adriatic

Daily Banana – The Pearl Of The Adriatic (alt)

Dubrovnik, The Pearl Of The Adriatic

There are some amazing viewpoints all over the world that beg to be photographed. Some of which are so iconic and so easy to access that thousands of people visit each year to take the same photo.

The whole area of Cinque Terre, Italy is a perfect example. Each town is extremely picturesque with many easy to get to places to take photos. In the case of today’s photo in Vernazza, I was standing in a cluster of 5 people with cameras set on tripods.

So as photographers, what can we do about it? How can we make a unique photo of something that’s been photographed millions of times? The subject is already established, so what’s next?

Read on to learn about how some different times of day can dramatically set your photography apart from others.

Daily Banana – The Beautiful Vernazza

Beautiful Vernazza - Cinque Terre, Italy

Monkey Wisdom – Choosing The Right Moment

If the weather is good, consider the best time of day to shoot.

Lighting conditions can change dramatically from hour to hour. So much so that the core mood of the photo can be profoundly affected. This is a great way to make your image stand out among the rest. Give careful consideration to how the subject might change as the day progresses.

Always be aware of the sun position

As the sun shifts in the sky, the shadows play differently on surfaces. Early morning and late afternoon are excellent candidates for daytime shooting because they produce long & dramatic shadows. Try to avoid mid day sun. Having the sun directly above the subject has a tendency to wash everything out, making it look flat. It also creates a minimal shadow effect where the shadows short short and dark. This isn’t universal for all locations but it’s a good rule of thumb to go by.

The Golden Hours

You may have heard of this magical time of day when everything is beautiful. I call it, “after a triple espresso.” Others call it, “Golden Hour,” or “Magic Hour.” It’s during these special times that the light has a golden color to it. Everything just looks incredible and the shadows are long, light, and perfect. Catch these times just after sunrise and just before sunset.

The following 2 photos were both shot during PM Golden Hour.

Manarola Moonrise - Italy Golden Hour Gamla Stan Golden Light - Stockholm

Sunrise vs Sunset.

The biggest benefit to shooting at Sunrise is the lack of people. In heavy tourist areas this can be the difference between a lame scene full of people eating pizza and a beautiful breathtaking photo. If you want a clean shot, you better set that alarm clock. If you don’t, I hope you’re savvy with the Photoshop Clone Stamp. Here is a good example of that.

Also consider where you want to sun to be in the sky. Do you want the sun in your shot? Do you want it behind the subject? Behind you? Each of these options yields an entirely different effect.

The following 2 photos are good examples of having the sun in frame.

Riomaggiore Sunset - Italy Cinque Terre Castle Point At Sunrise - New Zealand

 

Working The Blue Hours

Sergels Torg - Stockholm

That’s right I said Blue Hours, plural. The early AM blue hour is often overlooked because, well, It’s too freaking early! If you thought sunrise was early, you aint seen nothing yet.

Anyway, Blue Hour is my absolute favorite time of day for photography and I always take full advantage of it. It starts shortly after the sun is fully set and can last for quite some time. It all depends on global position and altitude. For example, when I was in Stockholm during the summer, blue hour stretched for about 3.5 hours past sunset. So much so, that around 11pm there was still ample pink in the sky. The following is an example of that.

 

The biggest benefit to shooting during blue hour is that unlike night photography, you still end up with some sky definition. Mainly, the sky stays blue as you’ve no doubt figured out. However, with slight light in the sky comes subtle light on your subject. You’ll find that everything in your scene still retains slight lighting and color information. For me this is an absolute win.

In most cases, night lights come on shortly after sunset and before full dark. That makes a narrow window that I like to call Late Blue Hour. Next time you’re shooting late, see if you can identify this little window of time. It’s also the specific time that I captured today’s photo, The Beautiful Vernazza. Here are a few more examples.

Venice By Moonlight - Italy Ponte Sant'Angelo - Italy

Night Photography

Shortly after Blue Hour comes full dark. This is a great time to shoot because you’re not on an environmental clock, rather a body clock. You can go as long as you want or as long as you can stay awake.

While you lose the subtle light and color of Blue Hour, you gain a lot more drama and contrast. The shot becomes completely dependant on light sources. Whether it’s street light, or moon light, every light source paints the scene, illuminating everything within it’s glow. Everything outside the light range is lost in the darkness. Pretty cool eh? Here are a few examples.

Lonely Shadows - Rome, Italy Insomnia - Venice

Each of these times of day play an important role in creating beautiful photographs. I encourage complete and total experimentation as it’s the best method for learning.

Have you found this article useful? I’d love to hear about it. Send me an email or check me out on Google+

Look up! See the new “Technical Mumbo Jumbo” Menu?

So, what is this Blame The Monkey Technical Mumbo Jumbo?

Well, when I first started posting images I wanted to find a way to not only showcase the photos, but to showcase the steps involved in post processing as well. So, included with the HDR before and after comparisons was an additional blurb listing out the steps I took to process the images, called: Technical Mumbo Jumbo. It was cool for a while but after a couple of months I noticed that it became quite repetitive. Since there were only slight variations photo to photo, It seemed kinda silly to post the same stuff each time.

So, Instead of posting the same random list of steps every day, I decided to create a much larger (and more detailed) random list of steps and post them in one place. ;) — (hey now, some of the best things in life are spawned from laziness) — Oh and speaking of laziness… Never mind, that will take too much time to explain.

This time though, it’s comprehensive and complete, leading you into every aspect of my Post Processing Techniques. It’s also here that I plan to continuously add more tutorials and links. — It’s best to think of it as a complete hub for all of The Technical Mumbo Jumbo. You can also think of it as the coolest thing in the universe, which is coincidentally what my Mom calls it.

There are 7 parts in total and today I’m excited to release parts 1-4. Check them out by clicking below:

Technical Mumbo Jumbo

1.0 Introduction to Technical Mumbo Jumbo
2.0 My Photography Gear
3.0 Travel Photography Tips and Finding The Shots
4.0 Shooting and Camera Settings
5.0 Importing and Cataloguing Photos in Lightroom
6.0 Post Processing HDR in Photomatix Pro
7.0 HDR Photo Post Processing – Color Correction – Finishing

New Tutorial – Fixing Chromatic Aberration

To help celebrate the 4th of July (and because I’ve run out of fireworks to blow up), I’ll be releasing new tutorials all week!

Ever have problems with Chromatic Aberration? Ever wonder where it comes from and why the heck it happens? I’ve written a (very) funny new tutorial that should shit, I mean shed, some new light on the topic.

Click Clickidy Click Here

texture FTW.

If you check out the before and after for this image, you’ll notice that it’s not the HDR effect that’s making the difference. It’s the focus on texture that’s making the difference.

For the life of me I can’t remember where shot this. All I know is that was somewhere in Tuscany’s Chianti Region in Italy. Our friends were giving us an awesome tour of the surrounding towns and this was one of the stops along the road. My dumb as$ didn’t write it down…

Anyway, I guess the location really isn’t important. The real point to the story is something completely different. — Like a complete noob, I shot the entire town with the the camera in manual focus mode. Since I was using the Nikkor 14-24, shooting at around 14(ish), I didn’t even notice that everything was out of focus. That is, of course, until I started post processing…

So what did I do about it?

Well yea, of course, first I cried like a little school girl… But then I gave Topaz InFocus a try and wow. While it’s not a perfect fix, when you combine it with some other sharpening methods, it really helps the image pop.

I’m including a slightly more detailed description in the Technical Mumbo Jumbo. — Later, when I have more time, I’ll write some tutorials on the specific ways to use each of the pluggins to their full potential. For now, download some demos and give them a try.

Technical Mumbo Jumbo:

- Nikon D3 – Nikkor 14-24 f/2.8@ 14mm f/2.8 Iso: 100 (Manual Focus = Duh.)
- 5 (handheld) Exposure Brackets (-2,-1,0,1,2)
- HDR Photography Processing & Tone Mapping using Photomatix Pro
- Post Processing & Color Correction in Photoshop
- Sharpened Edges with Topaz InFocus (Global Setting of 0.4)
- Enhanced detail with Nik Software Sharpener Pro (Default Setting + 15 to Structure)
- Used the Photoshop High Pass Filter (Applied only to the Foreground, from the arch forward)
- Shifted the brick color to a deeper and more interesting red
- Added Selective Contrast to certain bricks and areas to make them pop
- Selective Contrast areas to enhance lighting effects
- Rotated the image slightly because apparently I can’t hold a camera straight

Daily Banana – A Textured Path

(move the slider to compare before and after)
HDR Photo - Tuscany Italy - A Textured Path